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| 趣味 | サッカー観戦、ゲーム、散歩 |
| 特技 | サッカー、ブレイクダンス少し |
| コメント | ここにくるまで多くの葛藤や悩みがありましたが、そういうありのままの自分で、高校生らしく成長していきたいです。また、ダンスや自分が出せる全力を見せていきたいです。 |
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オクハモができる低音域って才能なんだけど日プのテーマ曲てバリ高いよね…高いが正義ではないと思うけど! 私は低音が入る厚みが好き! そういう意味では才能潰してるよね!爽やかでフレッシュな曲は高いよね…低音の人は最初から不利なのが世知辛い!まあ事務所は利益しか考えてないか!

日プの石田亮太くん推しそう!ゾロ目ニキ‼️ グリフィンドールですか❓ってくらいまっすぐ男感と顔も可愛らしくて正義のヒーロー感! Aクラスで、ダンスもまっすぐ全力‼️私たちに託してくれます。 元スタダの元EBiDAN?DAN⇄JYOにいはった!超特急のアロハもいた‼️ラブワンとげんじぶとかと同期らしい! pic.x.com/RKHkIJJU9C x.com/wotfrxx/status…

It seems like I'm going to support Ryota Ishida from "Nippon Produce"! A lucky number! Is he from Gryffindor? He has such a straightforward masculine vibe and a cute face, giving off a heroic feeling! In Class A, he dances with all his might! He entrusts us with his performance. He was formerly with Stardust and EBiDAN? He was in DAN⇄JYO! There was also Aloha from Super Express! Apparently, he is a同期 (same generation) with Love One and Genji-bu! pic.x.com/RKHkIJJU9C x.com/wotfrxx/status…

AKBのウォニョン(プデュ48時代)の大賀彩姫ちゃんのセンターまじ映えるわ 高身長小顔色白は正義や

The tweet translates to: "Wonyoung from AKB (during her Produce 48 days) really shines as the center. Tall, small face, and fair skin is justice!"

日プ女子ってほんとに宝物なんだよね。曲も大好きだし、全部のステージが夢と希望で溢れててきらきらに輝いてて。 私の中ではME:Iと日プ女子ってけっこう別物感ある。現状ね。あるというか切り離して考えないと苦しい。ただ、櫻井美羽だけはずっと正義で本物。

The tweet translates to: "Japanese project girls are truly treasures. I love the songs, and every stage is filled with dreams and hope, shining brilliantly. For me, ME:I and the Japanese project girls feel quite separate. At this point, I have to think of them as distinct to avoid feeling overwhelmed. However, Sakurai Miu is always justice and genuine."

"I truly believe that 'cuteness is justice' is a genuine truth. I think this is one of the reasons why 'Nijipuro 2' was so peaceful; the top two contenders were like embodiments of cuteness. Even after debuting with INI, they continued to shine. The cuteness of these two has been constantly refined through their friendly competition, and thanks to them, cuteness has spread throughout the entire group. 🫶"

The translation of the tweet is: "A polite child is justice, so I will support this child. Broad shoulders are a plus! 101 PASS ▸▸ Fujii Yusei (藤井 雄聖) ◂◂ PRODUCE101 JAPAN New World youtu.be/vSfvyKDDvDY?si… via @YouTube"

The tweet translates to: "A year ago, Project 7 had that age group (including people in their 30s), but what happened with 'Nijipuro'? Is youth the only justice?"

The tweet translates to: "Saba-bans (Saba's siblings) have also become a regular feature, and it might be because Japan isn't experiencing a decline in birth rates as much as Korea or China. Mahiro and Hazuki (from Pueku to Nippon Pro Girls), Ikemoto brothers (from Nippon Pro No Mark to Nippon Pro 2), Jun and Ichika (from Pueku, Nippon Pro No Mark to Boy Planet No Mark), Kobayashi Daigo to Chigo (from Nippon Pro 2 to Nippon Pro New World). I'm not sure if there are others."

Recently, I've noticed that Johnny's fans (especially Tam fans) openly say things that cross the line, and they say it with such confidence as if it's justified. It's the same with people who casually mention that Rapone and Produce Japan also crossed the line (referring to memories from Produce Japan 2). It's no wonder people are feeling mentally strained. I have a lot to say to the management, but I also think that fans have their own issues...

The tweet translates to: "Starting with Nakomiku, the connection with the OG members is so good that it brings back the feelings of the former Hakekas and the ghosts of Produce 48, and I got really excited, returning to those feelings from back then. Cuteness is justice 🥲."

Happy Birthday #MASAYOSHI🎉🎉 Happy birthday to Mr. Masayoshi Ikemoto✨✨ He turns 24 years old today😘 kpopjuice.com/member/ikemoto… #Happy_MASAYOSHI_day #HappyMASAYOSHIday #PRODUCE101JAPAN

The translation of the tweet is: "Did Aomi say something unnecessary again? I've had a hard time with their unique sense of justice since Produce."
