池本 正義

日プ新世界 2話 ・全体的に同意しかねるトレーナー陣の評価 ・涙分量こそ正義 ・消えた3UNITED(カクドンミン、アギナルドトリスタンジェームス、山根武蔵)と川畑さん ・抗えない分量の圧倒的な影響力 ↓

The tweet translates to: "Starting from tonight, it's the new world of Nippon Project... As a Kansai person, when I hear 'new world,' I can't help but think of that DOPE town... For now, my favorites based solely on visuals are Terui-kun and Sugiyama-kun. Sugiyama-kun being 182 cm is a great advantage, right? (But Sugiyama-kun also has the face of a derived unit...) pic.x.com/0BiE6SnoYI"

今夜から日プ新世界か…関西人なので新世界言われるとどうしてもあのDOPEな町が浮かびますが…今のところビジュのみでの推しは照井くんと杉山くん。杉山くん182センチは大正義では？(でも杉山くん派生ユニット顔でもあるんだよな…) pic.x.com/0BiE6SnoYI

日プ的には得票が正義だろうし、注目や話題になることがメリットになるものを見つけてしまったなら発信したいとも思うが微妙なラインで、どうしよう。布教とか得票のために推しのためにみたいな思想好きじゃないんだけど、知ってもらうべきコンテンツなような気もして🫨

In the context of "Nippon Produce," it seems that gaining votes is considered justice, and if I find something that attracts attention or becomes a topic of discussion, I want to share it. However, it's a delicate line, and I'm unsure what to do. I don't really like the idea of promoting or voting for my favorites for the sake of it, but I also feel like it might be content that should be known. 🫨

The ability to sing low notes is a talent, but the theme song for "Nippon Produce" is really high, isn't it? I don't think being high is the only measure of quality! I like the richness that comes with low notes! In that sense, it feels like talent is being wasted! Fresh and refreshing songs tend to be high... it's tough for those who sing low notes from the start! Well, I guess the agency only thinks about profit!

オクハモができる低音域って才能なんだけど日プのテーマ曲てバリ高いよね…高いが正義ではないと思うけど！ 私は低音が入る厚みが好き！ そういう意味では才能潰してるよね！爽やかでフレッシュな曲は高いよね…低音の人は最初から不利なのが世知辛い！まあ事務所は利益しか考えてないか！

It seems like I'm going to support Ryota Ishida from "Nippon Produce"! A lucky number! Is he from Gryffindor? He has such a straightforward masculine vibe and a cute face, giving off a heroic feeling! In Class A, he dances with all his might! He entrusts us with his performance. He was formerly with Stardust and EBiDAN? He was in DAN⇄JYO! There was also Aloha from Super Express! Apparently, he is a同期 (same generation) with Love One and Genji-bu! pic.x.com/RKHkIJJU9C x.com/wotfrxx/status…

The tweet translates to: "Wonyoung from AKB (during her Produce 48 days) really shines as the center. Tall, small face, and fair skin is justice!"

The tweet translates to: "Japanese project girls are truly treasures. I love the songs, and every stage is filled with dreams and hope, shining brilliantly. For me, ME:I and the Japanese project girls feel quite separate. At this point, I have to think of them as distinct to avoid feeling overwhelmed. However, Sakurai Miu is always justice and genuine."

"I truly believe that 'cuteness is justice' is a genuine truth. I think this is one of the reasons why 'Nijipuro 2' was so peaceful; the top two contenders were like embodiments of cuteness. Even after debuting with INI, they continued to shine. The cuteness of these two has been constantly refined through their friendly competition, and thanks to them, cuteness has spread throughout the entire group. 🫶"

The translation of the tweet is: "A polite child is justice, so I will support this child. Broad shoulders are a plus! 101 PASS ▸▸ Fujii Yusei (藤井 雄聖) ◂◂ PRODUCE101 JAPAN New World youtu.be/vSfvyKDDvDY?si… via @YouTube"

The tweet translates to: "A year ago, Project 7 had that age group (including people in their 30s), but what happened with 'Nijipuro'? Is youth the only justice?"

The tweet translates to: "Saba-bans (Saba's siblings) have also become a regular feature, and it might be because Japan isn't experiencing a decline in birth rates as much as Korea or China. Mahiro and Hazuki (from Pueku to Nippon Pro Girls), Ikemoto brothers (from Nippon Pro No Mark to Nippon Pro 2), Jun and Ichika (from Pueku, Nippon Pro No Mark to Boy Planet No Mark), Kobayashi Daigo to Chigo (from Nippon Pro 2 to Nippon Pro New World). I'm not sure if there are others."

Recently, I've noticed that Johnny's fans (especially Tam fans) openly say things that cross the line, and they say it with such confidence as if it's justified. It's the same with people who casually mention that Rapone and Produce Japan also crossed the line (referring to memories from Produce Japan 2). It's no wonder people are feeling mentally strained. I have a lot to say to the management, but I also think that fans have their own issues...